Bastardens Folkedans
En undersøgelse af multietnisk sorgdans i flere faser.
21.8.22
21.8.22
14:00 - 15:00
Residency at Teatret Zeppelin
The artistic research
When war reveals that civilization is a thin veneer, and hatred, fear, and thirst for revenge spread epidemically among your people, who are you, and to which “people” do you belong? This question leads to increased polarization, but how does a multiethnic individual position themselves in this field of tension?
Based on Bosnian folklore, the artistic team will embark on creating a multi-ethnic expression in music, dance, and images that reflects multi-ethnicity, based on the personal experiences of musician, instructor, and debater Nikoline. In the process, the artists ask themselves questions such as: How do we create an authentic multi-ethnic expression that is not backward-looking and nationalistic, but feels universal and modern? Can we work with the subconscious and emotional level, or do we also need to convey facts in order to create compassion and empathy for the division? How do we create and dissolve the feeling of ‘us’ and ‘them’ in the audience?
the artists
The artistic team consists of Nikoline Vicić Rasmussen. The artists have not worked together before, so part of the process will also involve exploring collaboration and developing a common theatrical language.
Petruska Miehe-Renard
Petruska Miehe-Renard is a visual artist based in Copenhagen. She graduated from The Royal Danish Academy School of Design, with a Master in Fashion in 2018. And have since 2020 been the visual part of How To Kill A Dog Studio with the Remeurt winning Lolita Forever theater performance and the Robert winning Tv-series Killjoy. In 2023 Petruska was granted Statens Kunstfonds Arbejdslegat and Lauritzen Fondens We Believe In You Prize.
Her work is often characterized with a maximalistic expression and a huge love for colors, details and humour.
Amalie Stitz
Amalie Stitz trained as a dancer at Daceworks Berlin and works freelance throughout Europe. She is also a permanent dancer with the FMKF collective.
David Nedergaard
David Nedergaard originally trained as a classical pianist, but later became interested in jazz and synthesizer-driven alt-pop music. He also produces house and techno music under the stage name Krylova.
the residency
IN PROCESS is HAUTs 1-2 week residency program, which creates space for physical brainstorming and supports the exploration and development of new ideas in the performing arts.