Hvordan kan man gøre processer og metoder tilgængelige gennem skrift?
N.B. This event will be held in Danish. Participation in this event is FREE, but please reserve your place via the link below, as we have limited space.
As part of our exploration of archiving and articulating the performing arts process, we invite Marie Mors and Mette Tranholm to come and share their knowledge with us.
Together and individually, they have worked strategically to document and make performing arts processes and methods accessible through writing, both through BETTY Developer, Corpus Shares, and Feedback in performing arts processes.
How can performing arts processes be articulated in writing? Why is this important? What are the potentials and challenges involved? What happens when we open up a workspace for documentation and reflection? What is the purpose of writing? How can sharing processes and methods be a resource for others? Both those inside and outside the institutions? Why write together? Why is all this important?
During the conversation, we open up the space and invite everyone who is in one way or another concerned with process, artistic development, or archiving and documentation of process to share any questions, thoughts, or reflections that may arise along the way. All voices are welcome.
Marie Mors (she/her) holds a MA in Theatre and Performance Studies from the University of Copenhagen and specialized in artistic development processes in performing arts. She has worked as a dramaturg and process consultant at several theatres. For several years, she was an artistic process consultant at the Royal Ballet, where she worked with artistic and organizational development and has subsequently been vice-rector at the Danish National School of Performing Arts. Her development practice focuses on process design, artistry development and artistic collaboration processes.
Mette Tranholm (she/her) is Ph.D. in Theatre and Performance Studies from the University of Copenhagen, freelance dramaturg and responsible for BETTY UDVIKLER at the Betty Nansen Theatre. She researches contemporary performing arts, performance collectives and acting techniques from a new materialist perspective. Her dramaturgical practice centers on the concept of the open work and experimental narrative forms.
CONVERSATION ON
A format for conversation and knowledge sharing that aims to make us smarter together and put important discourses on the agenda.
It is a space that opens up the conversation about performing arts and artistic development and brings new perspectives into play.




