A performative reflection by hacking and moshing interdisciplinary artistic practices.
Residency at Teatret Zeppelin 13.-26.06.2022
Datamoshing is the title of a performative reflection process initiated by Emilie Gregersen. A two-week residency together with Marina Dubia, Sigrid Stigsdatter, Paolo De Venicia and Cruz Proxy.
During the residency the group will be interweaving and embodying each other's artistic practices as a way of physically reflecting upon their own artistic work and the modes of productions they are created within.
The title Datamoshing is a reference to the process of messing with the data of media files creating visual or auditory glitching effects when a file is decoded or rendered. This residency is a self-produced glitch in time, a distortion of speed, where it’s dared to be critical of one's own patterns and ways of practicing and producing art.
The group works across choreography, performance, and visual arts.
Emilie Gregersen (b. 1993, DK) (they/she) is an artist, choreographer, and dancer based in Copenhagen, and a co-founding member of Dance Cooperative. Their choreographic work bounces at the intersection of practice-based choreography and hyper-performance. Emilie often works with a high degree of performativity, where everything from gaze to gesture is executed with heightened attentiveness, aiming to evoke hypersensitivity in both performer and audience. Driven by sensory practices, their work explores intimacy, power dynamics, and the use of the senses. Through the uncanny, the erotic, and the cringe, Emilie playfully distorts images and movements to challenge binary perceptions and destabilize normative narratives.

Cruz Proxy is a multidisciplinary artist, co-founder of the art group L9, and holds a master's degree from the Funen Art Academy.

Sigrid Stigsdatter is a choreographer, performer, and member of Dance Cooperative and Jacuzzi, trained at SNDO.

Paolo de Venecia Gile (they/them) is a Filipino-Swedish artist based in Copenhagen dealing with freelance galore. Partially trained as a nurse in Sweden, they completed formal studies in “contemporary” dance and choreography in Denmark in 2019. They often inhabit the role of performer in pieces signed by Malik Nashad Sharpe, Emilie Gregersen, Ofelia Jarl Ortega, Alex Blum, Adriano Wilfert Jesen among others. Their practice circles around how dance-ing might (re)produce & imaginaries on a material and affective level. They are part of Dance Cooperative, a self-organised platform & studio for intersectional feminist art practices.

IN PROCESS is HAUTs 1-2 week residency program, which creates space for physical brainstorming and supports the exploration and development of new ideas in the performing arts.





