Wandering along ever present but elusive practices / Hanging out: being moved by and with circumstances / slowly tuning into subtle noise and close dissonance, where listening becomes the way to relate.
Participation in the event is FREE, but please reserve a ticket as space is limited. You can book your ticket here:
Three different researches - by Søren Linding Urup, Quim Bigas Bassart and Olivia Rivière.
to path to path to path - During In DEPTH Søren Linding will wander three areas of practice ever present and slightly elusive throughout his work life: Following a facilitatory practice, a hunch of a dance and a treasured collaboration.
Hanging out and tuning in - During this residency, Quim Bigas will be hanging out with different materials. Bigas is curious about how this action of hanging out becomes a way of meeting, encountering, and being moved by the circumstances.
ringing(schhh) - In this residency, Olivia Riviére will spend time with the space, its sounds, and the people in it - slowly tuning into subtle noise and close dissonance, where listening becomes the way to relate.
Throughout this residency, three artists - Olivia Riviere, Søren Linding Urup, and Quim Bigas will co-inhabit the space while each engages in their own artistic research.
Although their processes are distinct, they will share the space throughout the week, allowing for porous exchanges and moments of intersection. The residency culminates in a shared worksharing, where the audience is invited into the diverse textures of their practices. This constellation unfolds within the framework of HAUTs in-depth format, offering time, space, and presence for artistic immersion.
Credits
to path to path to path: Søren Linding will collaborate with Quim Bigas Bassart, Olivia Rivière and Ivar Myrset Asheim.
ringing(schhh): Olivia will collaborate with choreographer Lisen Pousette, for parts of the process - looking into the idea of resonance through extended voice techniques.
Olivia willa also explore best music duo Áslaug Magnúsdóttir and Bridget Ferril, irl or online.
Quim Bigas Bassart is an artist working within the fields of choreography, dramaturgy, and information processes.
He let's himself be guided by a constant questioning of where we observe from, how we observe, when we pause to observe, what kind of movement observation generates in us, and how this movement of observing can be transmitted elsewhere to create another world—something stories and tales have always done. He is interested in how dance can sometimes participate in this sharing of ways of learning that opens up new forms of value, new ways of perceiving and appreciating. Questions around the nature of attention—and the sense of place from which we attend—remain a crucial part of his work.
He has a kind of obsession with the mystery of place, which for him is a crossing of temporalities coming from many different sources. A place carries a series of trajectories that intersect—and it is precisely through their crossing that a place begins to emerge. The space may have already been there, but the place is generated through the way we each arrive from where we come from, in order to share what we are now sharing. This creates a suspension, a quality, a body, an attention that can move us—it might feel poetic or exciting, or even terrifying. It can, in short, be many things.
Lately, he has been working on how we dance together: approaching agreement, listening, and the practice of being with one another. This has led him to a growing curiosity about the notion of "tuning" —a concept he continue to explore and which, hopefully, will accompany him for a long time.

Søren Linding Urup is a dancer and facilitator.
He has worked and performed throughout Europe in formats for all audiences. His work often revolves around connecting to a shared space of practice in different contexts. Søren is intrigued by the potential for tender and subtle encounters.
In sharing space and presence with two other artists, and in inviting further collaborators into this residency, he hopes to let the ongoingness of practicing settle into form. In a way, to be dancing with the anxiety towards fixing and formulating material, commiting to the exchange of ideas and standing with the statement of thingness.

IN DEPTH is HAUTs 4-week residency focussing on artistic research.
Experienced artists will have the opportunity to research, investigate and rethink their own artistic practice. During the four weeks, the artists have the opportunity to have conversations with sparring partners of their choice and invite speakers for public CONVERSATIONS ON-conversations.