Intergenerational Aesthetics
What does it mean for the social and sensuous order of theatre when girls and women from four generations create a performing arts space together?
30.11.19
30.11.19
1 p.m. - 2:30 p.m.
Work-in-progress viewing on 30.11.2019 at 13:00-14:30
The Artistic Research
During their Exile at HAUT the group wants to investigate what rhythms, visual expressions, movements and ways of being together arise when the producing unit of artists becomes age-heterogeneous.
What unites us? What differences must be upheld and defended? They are based on a separation of care work between generations, which typically takes place in the art space. What would happen –economically, socially, ecologically – if we break with this logic of exclusion?
Informed by feminist artist Mierle Laderman Ukele's inclusion of everyday excluded work, the artists invite the relational caring work into the middle of the performing arts space.
The artists
The group of artists is composed of Marie-Louise Guldbæk Stentebjerg and Cecilie Ullerup Schmidt on the premise of bringing together fellows who identify with a feminist artistic, curatorial and theoretical practice. Cooperation is intended as horizontal.
Karis Zidore
Karis Zidore is a choreographer and sound artist, which is why her artistic practice is based on sound, voice, and body - both separately, in parallel, and intertwined. She collaborates with choreographers Olivia Rivière, Emilie Gregersen, and Naya Moll, among others, and is also part of the artistic collective Danseatelier in Copenhagen.
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Residencias
Invited into Exile through the open call 'Staging the Art of Caring', curated by HAUT's artistic director Naja Lee Jensen in collaboration with co-founder of Laboratory for Aesthetics and Ecology, Ida Bencke.