Two researchers with different perspective on archives, counter-archives, memory, and erasure in the performing arts, meet for a conversation about their work in highlighting overlooked histories and creating space for marginalized bodies that have traditionally been excluded from the archives.
This event is part of the seminar PERSPECTIVES ON: MOVING ARCHIVES.
Participation isFREE, but as there are a limited number of spots, please remember to register via the link below.
Nina Cramer works as a researcher, curator, and editor focusing on African diaspora art histories. An important part of Nina’s practice is facilitating spaces for black intellectual exchange, for example through her work in the context of G/HOSTING, a Copenhagen-based curatorial platform that promotes critical and reparative approaches to ongoing colonial histories, or as co-organizer of a Black Feminist Summer School in Amsterdam.
She also seeks to promote epistemic justice through collective editorial projects, including the anthology black monument (Art Hub Copenhagen and Archive Books, 2026) and the decolonial feminist journal Marronage(2017).
Nina is currently a postdoctoral researcher at the SMK – National Gallery of Denmark and curator at the independent Copenhagen space Astrid Noacks Atelier.
Storm Møller Madsen is a performance and trans studies scholar, curator and dramaturg. They recently defended their dissertation, Turning toward each other: Trans togetherness, communal becoming, and t4t reading of contemporary trans performance art.
Their work centers trans separatist practices and practicing and explores embodiment, affect, archives and collective forms of trans becoming, both within and beyond trans studies and trans artistic production.
Together with performance artist Sara Hamming, they curate Skabninger Samlinger — a platform for performance art and discourse.
