A research on collective, performative reflection processes
Register for the event by sending an email to billet@hautscene.dk. Please enter “Mini-worksharing” in the subject line.
How do we reflect on our own work and our artistic practice? And can this kind of reflection take place in the presence of colleagues?
In this mini-workshop, we meet a group of artists working across choreography, performance, and visual arts, in the middle of their two-week residency at HAUT. The residency focuses on a performative reflection process, where the artists embody each other's artistic practices as a way to physically reflect on their own artistic work and the forms of production within which they are created.
With coffee and croissants on the table, we dive into a conversation with the artists to hear about their experiences. We hope that this artistic exploration will pique your curiosity and that you will want to start the day with us. The title Datamoshing refers to the process of messing with the data in media files, which creates visual or auditory glitch effects when a file is decoded or reproduced. This residency is a self-produced glitch in time, a distortion of speed, where one dares to be critical of one's own patterns and ways of practicing and producing art.
Datamoshing is the title of a performative reflection process initiated by Emilie Gregersen. During a two-week residency with Marina Dubia, Sigrid Stigsdatter, Paolo De Venicia, and Cruz Proxy, the group will merge and incorporate each other's artistic practices as a way of physically reflecting on their own artistic work and the forms of production within which they are created.









