Legs, faces, gestures and territories. Here is a body and here is more of it. How can a body claim a further and more extended form? How to prolong the process of the gaze’s strict separation between object and body?

The worksharing is a study of the relation between what we know and what we see. How can the imaginative visually function as a means of power, and what kind of perception holds power?

SUB BODY is a fictive body evoked by dreams and the subconscious. In a world often favouring the rational and what can be measured, the project delves into materializing fantasy.

What makes something real?